
Rob Long on standing out amid Hollywood's junk and clutter
͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏
| | |
| Share  | The Garbageman's Vanity Card Martini Shot 9:37 |
One of the problems facing showbiz right now: Too many production companies, private equity investors, and celebrity shingles — but not enough set-up projects. That’s why it’s worth remembering the actor-producer-garbageman Rob Long once hired, whose business card was a reminder of simpler times: the producer’s vanity card. Transcript here. Leave a comment Follow us: X | Facebook | Instagram | Threads | Bluesky Give a gift subscription Got a tip or story pitch? Email tips@theankler.com. To advertise to our 125,000 subscribers, email London@theankler.com.
The Wakeup Netflix sees big returns in Ms. Rachel, WWE Rumble TV Has Changed, But My Passion for Covering the Industry Never Will Lesley Goldberg joins the Series Business team to dig into the nitty-gritty of creating, developing, staffing, marketing and celebrating new shows How-To H’wood: Richard Rushfield’s advice no one tells you. Part I: Climbing the Greasy Pole to Success; Part II: Firing & Being Fired; Part III: Winning Feuds & Settling Scores Disney Earnings Audit: Pics Boom, Bets on Streaming Tech, and Linear TV Defense A special #EarningsSeason 🤓 ‘Wakeup’ looking inside its Q4 2024 books EXCLUSIVE: My Chat with Rep. Darrell Issa, New Hollywood Friend Matthew Frank talks to congressman about his anti-piracy fight, a ‘judicial blocking’ proposal that has Amazon, Disney and YouTube execs talking. Plus: his words on Trump & fire relief Best in Fest: Experts on Where (& How) to Sell an Indie Film Now Ashley Cullins talks to top dealmakers from CAA and WME about Sundance, Berlin, Cannes, the new Toronto market, which festivals you can’t miss (and can) and rules of a changed market A ‘Desperate’ Campaign to Bring L.A. Production Back: ‘People Can’t Live Where There is No Work’ As staggering job losses mount, #StayinLA is pressuring studios, government, Iger and Zaslav, with support from Keanu Reeves, Julie Plec & more, reports Elaine Low ‘Fewer, Bigger, Better’: How the Producers of ‘Traitors’ & ‘Squid Game: The Challenge’ Make Reality Hits Studio Lambert’s Stephen Lambert and Tim Harcourt tell Manori Ravindran what buyers want, their advice for succeeding in unscripted, and why ‘medium’ swings no longer work Sundance: Get it Together, Indie A-Holes and Indie A-Holes Part II What part of ‘extinction event’ do you not understand? Richard asks and then follows up with fixes for indie film production, distribution and marketing Epic Emilia Pérez Spiral; The Wild Robot Music Man Soars Katey Rich’s convo with Kris Bowers reminds us what’s thrilling about the Oscars as the shocking controversy around Karla Sofia Gascón grows Mudslinging Comes Back in Style Dirty tricks and trolling campaigns return, Katey reports, this time with ‘stans’ often driving the narrative 🎧 Anora Auteur Sean Baker Unpacks His ‘Twist’ on the Romcom Katey talks to the writer-director about his Hollywood influences, from George Lucas to Coming to America. Plus: Analyzing the implosion of Emilia Pérez 🎧 Nope, The Brutalist Auteur Won’t Make a Franchise 🎧 A Dire Sundance, Indie Peril & the Creator Incursion It was definitely a mood at the festival; plus: Peacock thwacked
| |

Bagikan ke Facebook