
Rob Long on not letting success — or faking it — mess with your head
͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏
| | |
| Share  | ‘You Guys Are All the Same’ Martini Shot 12:48 |
New streamers all want to be the place that gets it. They’ll say, “Come here and be creative! Give us your quirky, oddball stuff!” But before you know it, Rob Long finds they’re giving notes on the act break and telling writers to raise the stakes. But anybody that’s been in this business awhile, or had any degree of success, can relate — it’s easy to forget that you don’t know all the answers. Transcript here. Leave a comment Follow us: X | Facebook | Instagram | Threads | Bluesky Give a gift subscription Got a tip or story pitch? Email tips@theankler.com. To advertise to our 115,000 subscribers, email London@theankler.com.
The Wakeup Netflix WWE audience report, and what sports leagues can learn Bums vs. Billionaires: Malibu’s Silicon Valley Takeover is Almost Complete ‘Seething resentment’: Big Tech is colonizing Hollywood’s hideaway, trampling on what locals hold dear, reports Peter Kiefer. And the fires only make things worse Sundance: Get it Together, Indie A-Holes What part of ‘extinction event’ do you not understand? asks Richard Rushfield 🎧 The New Showbiz: Hollywood, Creators & Brands Like & Subscribe’s Natalie Jarvey discusses the ‘win-win’ as talent and brands reset the terms of engagement for the next phase of entertainment with UTA’s Julian Jacobs, creator Jordan Howlett and more David S. Goyer’s New AI-Powered Sci-Fi Fantasy World: The Reel AI Interview The prolific creator tells Erik Barmack about Incention, a dizzyingly ambitious platform to upend IP that anyone is invited to join: ‘I’m not a proselytizer, I’m not a doomsayer” Indie TV: ‘Holy Shit, This is a Viable Model’ Film’s done it for decades. Now Cooper Raiff, Duplass Brothers & Joe Lewis tell Elaine Low about self-financing shows: ‘Way less crazy.’ No wonder TV execs are nervous The MIT Grad Whose Prediction Market Can Reveal What Netflix Show Will Be #1 Tarek Mansour’s Kalshi foretold Trump’s election. Now his site’s users are betting on everything from Bob Iger’s exit day to Oscar odds for The Brutalist as a new data set for entertainment emerges, reports Matthew Frank Subscriber-in-Chief: Donald Trump’s News Outlets He Pays For Investigative reporter Dave Levinthal finds the campaign spent thousands for the NYT, WSJ, WaPo and more — despite pummeling them as ‘corrupt’ Streaming Libraries: Next War in the Retention Economy Entertainment Strategy Guy on what data reveals around the key weapon in combating churn Sundance Postcard from the Edge; Thinking About Netflix Richard on the ground in Park City 5 Oscar Best Actress Nominees Fight the Patriarchy (What’s Your Film Doing?) A bigger-than-film campaign narrative always has been a best picture must. Katey Rich assesses the field of who is flexing ‘important’ How Sing Sing’s Underdog Anthem Landed an Oscar Moonshot Black Pumas’ Adrian Quesada and Texan Abraham Alexander tell Rob LeDonne how they captured hope and yearning in prison 🎧 Sundance: J. Lo Shines at a Muted Fest With High Hopes, Few Hits The fest’s mixed vibes and films that hit home, from Lopez’s Kiss of the Spider Woman to standout doc The Stringer 🎧 Hollywood’s New Trick to Screw Writers Studios are asking scribes to develop without pay — and are getting away with it 🎧 Oscar Noms: A Race Wide Open With Trump, Trans Issues in the Mix Katey & friends analyze the contenders
| |

Bagikan ke Facebook