🎧 Dumpster Diving on the Studio Lot

Rob Long on what one TV writer gleaned from Paramount's garbage

͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­͏     ­

	Forwarded this email? Subscribe here for more 🎧 Dumpster Diving on the Studio Lot Rob Long on what one TV writer gleaned from Paramount's garbage Rob Long Apr 24   READ IN APP   Dumpster Diving on the Studio Lot Martini Shot 11:45 Subscribe in Apple Podcasts Share No doubt, the internet and technology vastly improved the tedious labor of writing scripts and making revisions. But Rob Long believes something was lost in the disappearance of an actual paper trail: Archaeological artifacts that reveal the process of jokes moving, characters losing lines and test audiences wanting (and getting) a happy ending. And it turns out, like his friend, you didn’t even need to read Save the Cat! to learn how to write TV. All you needed was to roll up your sleeves and sift through the studio garbage. Transcript here. Leave a comment Follow us: X | Facebook | Instagram | Threads Give a gift subscription Got a tip or story pitch? Email tips@theankler.com. To advertise to our 71,000 subscribers, email London@theankler.com. ICYMI The Wakeup 'Rebel Moon 2' tops Netflix globally — but U.S. not so much Marketing Mojo! 5 Studio Stunts that Struck Gold I bestow honors today on recent strategies that won audience, broke the mold and beat the internet True Crime Docs' Terrifying AI Future It is one of the genres most susceptible, even as integrity, quality and art take a backseat 5 TV Agents on the State of the Industry Pilot season RIP, even Amazon and Apple are cutting costs, and there's 'less being bought, less being made, less rooms, less staff.' But hope is unsinkable Ted, Ari and Netflix's New Sports Bloodlust Why were the duo in a clinch at UFC 300? It might be because MMA makes so much sense as Netflix's next live bet 🎧AI and Hollywood's 'Sophie's Choice' Inside the scramble as showbiz lawyers, agents and legislators agonize over client rights: 'Is it too late?' A24 Enters the Uncanny Valley Can the beloved indie escape the grow-too-big trap? Plus: Sundance stress, 'Harper's' discovers Hollywood The Optionist, a newsletter about IP Two Genre Takes on Race A True-Life Space Tragedy   Like Comment Restack   © 2024 Ankler Media 11990 San Vicente Blvd., Suite 350, Los Angeles, CA 90049 Unsubscribe

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